From New Spain to Mughal India: Rethinking Early Modern Animal Studies with a Turkey, ca. 1612
We now stand face to face with the Sixth Extinction, the most devastating mass extinction event in the past sixty-six million years. How might art history, which has conventionally taken works produced by the human species as its archive and locus of analysis, respond to this crisis? Might a renewed attention to human-animal relations alter art history’s speciesist bias? And what might such an art history look like? Taking a ca.